I quite liked Azhagiye and Sarattu Vandila but I couldn’t really register the rest of the album because it didn’t really stand-out for me between the distressing plotline and enactments. This, however, was better done in Rockstar’s, Tango for Taj. Take Tango Kelaayo for instance, which coincides with the first proper meeting between the protagonists, is supposed to give us that electricity. The visualisations lend grandeur to the narrative and wanting to be about an experience that is larger than life, yet I found the album quite underwhelming.
#KANNATHIL MUTHAMITTAL SATRRU NENAIDHADHU NENJAM MOVIE#
I’ve developed this habit of listening to the music for the first time when I watch the movie for a richer viewing experience. Of the above, the album which resonates the least with me is Kaatru Veliyidai. Each of these albums definitely merit their own separate post on how they contribute to the plot but I am going to be talking about which albums from this list I keep going back to and how the movie also influences my taste for the music. But, if we were to characterise romance as a deeper emotional attachment, this movie and the album, finds a prime place in the category of romance. The conventional sense of romance in Tamil movies should tell you that Kannathil Muthamittal does not belong to this list.
Viju came up with this idea that I write about the music of Alaipayuthey, Kaatru Veliyidai, OK Kanmani and Kannathil Muthamittal and how it’s tied to the romance in the plotlines.
I am not the biggest fan of Mani Ratnam’s brand of romance but it’s hard to deny that he lands beautiful music for his cinema. This was due to the fact that Viju’s movie exposure has been mostly shaped up watching Mani Ratnam romances!
Viju’s question to Deepika was – Connect the romances in Alaipayuthey, Kannathil Muthamittal, OK Kanmani and Kaatru Veliyidai via their music.
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